Spotlight On… A Henry II Penny

This blog post is part of a new series we’re calling ‘Spotlight On…’ where we examine PAS finds in context. We’ll aim to shed some light on what was happening in the world during the first life of these finds. This week, the spotlight falls on a twelfth-century coin. Let’s explore the events that were happening during the decade in which this coin (and coins like it) were first circulating in England. 

An image of a twelfth-century coin. The obverse shows a portrait with the inscription HENRICUS REX. The reverse is a short cross with pellets and HUGO ON EVERW.
Medieval Coin : Penny of Henry II. Copyright York Museums Trust. License: CC-BY.

This is YORYM-0FED25: a silver penny dating from the twelfth century. You can view its full PAS record here: Record ID: YORYM-0FED25 – MEDIEVAL coin (finds.org.uk) This penny was struck sometime between c. AD 1180 and c. 1189, which is a decade that falls right at the end of Henry II’s reign. It was minted in York by the moneyer Hugo, and it was found in Ryedale, North Yorkshire.

Sometimes it can be difficult to relate the finds we identify to the events that were occurring during their time, and that’s why we’ve created this new blog series. These objects were as real to their contemporaries as any of your belongings are to you. In its first life, before it was hidden under layers of earth for a metal detectorist to find, this coin might have passed through dozens or even hundreds of human hands. To help us to understand how this coin fits into history, we’ve considered what else was happening in the world around the time Hugo struck this coin in York. In this penultimate decade of the twelfth century, what events were impacting the people of Yorkshire? What was happening in England? And what events were occurring at the same time across the world?

First, let’s take a look at our coin. The obverse – that is, in this case, the side with the bust – is inscribed with the legend HENRICVS REX (‘King Henry’). The reverse is of the short cross type and says HVGO ON EVERW (‘Hugo in Everwich’, this being one of the many historic names of York. A tip: if you want to explore the Pipe Rolls or any other medieval document from this period and you’re struggling to find mentions of Yorkshire, search instead for Everwichshire.

Now that we’ve examined our coin, let’s take a look at what was happening in Yorkshire at the time it – and other coins like it – was minted.

UP NORTH: YORKSHIRE IN THE 1180s

At this time, much of Yorkshire’s industry revolved around the cloth trade alongside mining and agriculture. York was relatively powerful, being the seat of an archbishop, but this seat was left empty during the period 1181 to 1191. During this period, the crown was collecting large sums of money as a direct result of the empty position, and this may have been a contributing factor as to why the role was not filled for so long. The sums of money collected are recorded in the annual rolls of pipe of the time.

Yorkshire had a rapidly changing landscape during the thirteenth century. In the decades before this coin was struck, a huge number of abbeys and religious buildings sprung up across the county. These sites, which now seem ancient (and which are largely ruined, in large part due to the damage they sustained during the Dissolution) would have been relatively new at the time this coin was struck. Most of Yorkshire’s most recognisable abbeys were under a century old. Fountains Abbey would have turned 50 in 1182 – it must have still seemed somewhat new to the people who lived in the area, and some of them would still have remembered the landscape prior to the abbey’s establishment.

A yellow and black timeline with an illustration of an abbey in the bottom left corner.

This timeline illustrates the building of five of Yorkshire’s major abbey sites.

St Mary’s of York was founded in 1055, with the abbey re-founded in 1088 on a larger site. The surviving ruins in the Museum Gardens are from the thirteenth century.

Whitby Abbey was re-founded in 1078 after standing as a ruin for centuries following raids by Danes. in the 1220s, most of the structure was rebuilt, and it is this structure that is visible today.

Rievaulx Abbey was founded as England’s first Cistercian monastery in 1132.

Fountains Abbey was founded in 1132 and became the second Cistercian monastery in northern England just three years later.

Byland Abbey was founded in 1135, but the monks did not settle at the present site of the abbey until 1177.

Maybe this coin was part of one of the many transactions that took place involving these religious sites. It may also have been part of someone’s wages. Perhaps this coin was held by someone involved in the cloth industry, or it passed through the hands of someone in the king’s household. We know from the Constitutio Domus Regis the amount that members of the king’s household were typically paid. Here’s what this penny would have been worth to one important member of the king’s household.

Aquarius duplicem cibum et quando rex iter agit .i. denarium ad pannos regis exsiccandos et quando rex balneat .iiii.j denarios exceptis tribus festis annuis.
The water bearer has double rations and when the king is on the road, he has a penny for drying the king’s clothes, and when the king takes a bath, he has 4 … pence, except when the king takes a bath at the three annual feasts.

CONSTITUTIO DOMUS REGIS: DISPOSITION OF THE KING’S HOUSEHOLD, ED. AMT, EMILIE AND S.D. CHURCH. PP. 208-209

ROYAL AFFAIRS

This coin was minted at some point during the final decade of Henry II’s life. It is a time marked by difficulties, as much of Henry’s reign was, and it is in these final years that his constant battles with his sons reach their peak. Gerald of Wales recounts an anecdote in De Principis Instructione describing the often difficult relationship between Henry and his children. He says that there was a painting commissioned by Henry on the wall of a chamber at Winchester, and this painting depicted an eagle being attacked by its four chicks: three of the chicks claw and scratch at the paternal eagle, which another is poised to take out its eyes. When questioned about the meaning of the painting Henry apparently responded:

Quatuor’, inquit, ‘aquile pulli quatuor filii mei sunt, qui me usque ad mortem persequi non cessabunt. Quorum minor natu, quem tanta dileccione nunc amplector, michi denique longe grauius aliis omnibus et periculosius nonnunquam insultabit.

The four eagle chicks are my four sons, who will not cease persecuting me to death. The youngest of them, whom I now love with such affection, will eventually attack me more seriously than all the rest and sometimes more dangerously.

GERALD OF WALES, INSTRUCTIONS FOR A RULER: DE PRINCIPIS INSTRUCTIONE, BOOK 3, CHAPTER 26, ED. ROBERT BARTLETT (OXFORD SCHOLARLY EDITIONS ONLINE: OXFORD UNIVERSITY PRESS, 2020), 680-681.

In 1183, Henry the Young King (the eldest of Henry’s children with Eleanor of Aquitaine to survive childhood) died while on campaign against his father and his brother Richard. 1185 marked a failed expedition to Ireland by Henry’s son John, who was forced to return in defeat; shortly afterwards his son Geoffrey died in a tournament in Paris. In 1187, Saladin’s capture of Jerusalem stirred calls for another crusade, with Henry and his two surviving sons – as well as French rival Philip II Augustus – throwing their hats in the ring. By 1188, Henry’s relationship with son Richard was under severe strain. Helped by ongoing pressures from Philip II Augustus, war broke out, and by the summer of 1189 Henry was dead.

All of this is happening as our coin is being minted and passed around Yorkshire. It begs the question: how much would this royal turbulence have impacted the day-to-day lives of people living in Yorkshire? What awareness might they have had of the events that were occurring largely abroad? And what did they think when they saw this coin, struck with the portrait of a king, and reflected on what was happening in the world around them?

CONCLUSION

This Yorkshire coin was brought into the world shortly as Temüjin (the future Genghis Khan) was gathering power. The astrolabe was finally making its way to Europe, having been developed in classical antiquity but perfected in more recent times by Islamic scholars, whose leading knowledge of astronomy and mathematics was breaking scientific barriers in their dozens. North Africa and much of the Iberian Peninsula were under control of the Almohad caliphate, remaining so for another thirty years.

These pennies may be little, but they’re symbolic of so much more than small change. This coin emerges from a context of global change, scientific development, literary advancement, and plain old interesting times. It might not be a fancy locket containing a lock of hair, or a diary indicating a twelfth-century person’s innermost thoughts and feelings, but it is part of a wider story.

I hope this blog post has helped to contextualise this find. You can access the record here [YORYM-0FED25] and explore other examples of Henry II coinage over at the Portable Antiquities Scheme website.

RESOURCES USED

Links to publicly available Pipe Rolls via Internet Archive: Medieval source material on the internet: Pipe rolls (medievalgenealogy.org.uk)

Allen, Martin. ‘The Archbishop of York’s Mint after the Norman Conquest’. Northern History, xli (2004).

Amt, Emilie and S.D. Church, eds. Oxford Medieval Texts: Dialogus de Scaccario: The Dialogue of the Exchequer; Constitutio Domus Regis: Disposition of the King’s Household. Print 2007; published online 2019. https://www-oxfordscholarlyeditions-com.libproxy.york.ac.uk/view10.1093/actrade/9780199258611.div1.23?milestones=2 
DOI of this edition: https://dx-doi-org.libproxy.york.ac.uk/10.1093/actrade/9780199258611.div1.23

Cook, Barrie. ‘The Royal Household and the Mint (1279-1399)’. The Numismatic Chronicle (1966-), vol. 149 (1989), pp. 12-133. https://www.jstor.org/stable/42667574. 

Gerald of Wales. Instructions for a Ruler: De Principis Instructione. Edited by Robert Bartlett. Oxford Scholarly Editions Online: Oxford University Press, 2020.

Map, Walter. De nugis curalium: Courtiers’ Trifles. In M. R. James, C. N. L. Brooke, and R. A. B. Mynors (eds). Oxford Medieval Texts: Walter Map: De Nugis Curialium: Courtiers’ Trifles. Print 1983; published online 2019. https://www-oxfordscholarlyeditions-com.libproxy.york.ac.uk/view/instance.00250987?milestones=5.6.title.

Nightingale, Pamela. ‘The Rise and Decline of Medieval York: A Reassessment’ in Past & Present, February 2010, no. 206. https://www.jstor.org/stable/40586938

Tillott, P.M., ed. A History of the County of York: the City of York. London: Victoria County History, 1961. British History Online. http://www.british-history.ac.uk/vch/yorks/city-of-york.

Find In Focus: Medieval Limoges Mount

Medieval objects are the second most commonly recorded objects on the PAS database. They account for 23% of the data set behind Roman material which covers a huge 40%. The bulk of this material is made up of the more common finds, such as individual coins, buckles, brooches and vessel sherds.

Percentage finds per period recorded by PAS.
Top medieval object types recorded by PAS.

Occasionally however, we come across something which really stands out. That was the case with this beautiful medieval enamelled mount.

YORYM-07928B

Made of a thin sheet of copper-alloy this mount would have adorned the terminal of an arm of a processional cross.

The front of the mount is decorated with a winged bovine animal, standing right with its head facing back towards its tail. A ringed halo surrounds its horned head. The facial features are only faintly visible as are feathers on the wings. Areas of the background retain blue enamel and it is likely that the remaining recesses also originally contained enamel settings of various colours.

This style of decoration is known as ‘Limoges’, named after the town in Aquitaine where the method was widely employed from the mid-12th century onward. A design would be carved or cast into a sheet of metal. The recessed areas were then filled with powdered glass enamel and the object fired until the powder melted and filled each area. Polishing would finish the piece to show the coloured enamel framed shiny by metal.

Limoges works of high quality multi-coloured enameled pieces adorned a variety of objects such as books, horse furniture and reliquaries and were favoured by important ecclesiastical and royal circles. The works were internationally famed and, in England, the style saw its peak popularity in the 13th century.

Limoges mounts such as this example would have been one of a set of four. Each mount would depict a different winged emblem of an evangelist, placed in a predetermined order on the reverse arms of a cross, framing the central figure of Christ. This example depicts the Ox of St Luke and the orientation of the design suggests it was originally affixed to the right arm of the cross. Example recorded by PAS suggest that the position of each evangelist was not set and variations often occurred.

Similar mounts depicting the other three Evangelists have been recorded on the database including KENT-732442 showing the eagle of St John, DENO-4E91E9 depicting the lion of St Mark, and WILT-EACA46 representing the angel of St Matthew.

KENT-732442: Eagle of St John
DENO-4E91E9: Lion of St Mark
WILT-EACA46: Angel of St Matthew

BH-0D0F26, SUSS-54B2C4, and SF-8AE233 also depict the ox of St Luke and appear to be from the same position on the cross as this example.

SUSS-54B2C4: Ox of St Luke

This object, and those like it, provide a wonderful glimpse into the vibrant medieval world.

Find In Focus: Medieval Seal Matrix

Seal matrices were used to make an impression on a wax seal as a means of authenticating a document or, more practically, to keep it closed.

There are over 7,500 seal matrices recorded with the Portable Antiquities Scheme. The earliest of these is from the Early-Medieval period (Fig 1) though these are rare. Over 6,000 examples date to the medieval period, particularly the 13th and 14th centuries, after which their use declines.

Fig. 1; SF-BE7CB0 An Early-Medieval seal matrix from Hampshire.
Fig. 1: SF-BE7CB0 An Early-Medieval seal matrix from Hampshire.

Though initially limited to the higher ranks of the church and state, the use of seals became more general from the 11th century onward and by the end of the thirteenth century tradesmen and peasants also used them.

Medieval seal matrices are usually made from copper-alloy or lead, but silver examples are also known. They are typically either flat or conical and have a central design and surrounding inscription on the die, usually added by engraving. Flat matrices tend to be circular or pointed-oval (often referred to as vessica-shaped), while conical matrices are usually circular. Many silver examples include a re-used Roman intaglio as the central design.

It is such an example which is the focus of this post.

This silver seal matrix with reused Roman intaglio was reported as potential Treasure in 2015 (Fig 2: YORYM-13A179). It was found by a metal detectorist in Markington, North Yorkshire.

Fig.2: YORYM-13A179 A silver medieval seal matrix from North Yorkshire.
Fig.2: YORYM-13A179 A silver medieval seal matrix from North Yorkshire.

The matrix itself is of 13th – 14th century date while the intaglio dates from the second to third centuries AD.

The intaglio is made of a red stone, possibly agate, jasper or carnelian, and is engraved with a winged Victory facing a seated male figure with a cockerel at his feet. This is likely to represent a winged messenger saluting the god Jupiter. The surrounding legend + SECRETI NVNCIVS means ‘Secret Messenger’ suggesting the matrix was made to fit with the intaglio’s design and that whoever made the seal understood the meaning of the intaglio.

Ancient gems were commonly reused in personal seal matrices throughout the Medieval period, and were often employed as privy or counter-seals by officials. Se below for three examples of medieval seal matrices with reused Roman intaglio.

It is unclear exactly how Roman intaglios came to be reused in such quantities, although it is possible that they were found locally by peasants working the land and passed to their lords. It is equally possible that they were imported specifically. The way in which intaglios were viewed and interpreted by medieval people shows the continuing impact of one civilisation on another.

Refs:

Downes, A, and Griffiths. R. (2017) 50 Finds From Yorkshire : Objects From the Portable Antiquities Scheme. Stroud: Amberley Publishing.

Geake, H. (2016) Finds Recording Guide: Seal Matrices; https://finds.org.uk/counties/findsrecordingguides/seal-matrices/ (accessed 03/04/2020)

Harvey, P.D.A. and McGuinness, A. (1996) A Guide to British Medieval Seals. Toronto: University of Toronto Press.