Following user research carried out earlier this year, the Finds Recording Guides section of the County Pages website has been revamped to provide easier navigation and an improved user experience.
The Finds Recording Guides are technical guides aimed at helping people record objects onto the PAS database. They contain a wealth of information on how to record, including which object type to use, what to call various object parts and how to write an effective object description. You can now browse the guides in a variety of ways and even see which ones have been most recently added!
We currently have 19 guides available, with many more to be added in due course, so please do check in regularly to see what’s available. The online nature of the guides means that they can be updated so they will always contain the most up-to-date information on recording practices for the PAS database.
The Finds Recording Guides are the result of months of hard work by the PASt Explorers team, with particular mention to Rob and Helen for writing them, and to Mary for conducting the user research and doing all the back-end computer wizardry to make the guides look so fantastic.
We are pleased to announce the launch of our Shropshire County Pages. Shropshire lies in The Marches – a rich and diverse landscape on the border between England and Wales.
Explore thousands of years of history through finds from Shropshire recorded on the Portable Antiquities Scheme database.
The Finds Liaison Officer for Shropshire is Peter Reavill who is supported by a team of volunteers and self-recorders. Follow their work and find out more about volunteering and the heritage of Shropshire on their Blog.
Today is Valentine’s Day and our Finds Liaison Officers have been busy highlighting love-themed objects from the Portable Antiquities Scheme database. Be sure to check them out on Twitter! In the meantime, here are a few more objects that demonstrate the range of subtle (and not-so-subtle) ways people in the past have professed their love. Happy Valentine’s Day!
This simple silver finger ring dates to the late medieval period (AD1300-1400). It bears the inscription:
+ AMORVIC:ITOMN+I+A for AMOR VINCIT OMNIA
which translates to “Love conquers all”. This seems to have been a relatively popular inscription and appears on 16 items in the PAS database. The motto even appears on a gold brooch worn by the Prioress in Chaucer’s Canterbury Tales (Gilchrist, R., Medieval Life: Archaeology and the Life Course, 2012: 111).
An elaborate silver-gilt seal-matrix depicting a man and woman facing each other with a flowering plant between them and a bird overhead. The lettering around the edge reads: +AMI AMES LEAVMEnT. Although the meaning is uncertain, it relates to love or loyalty – seals with sentimental designs are typical of the 14th century.
This fourpence of Charles II has been pierced and is bent in two places. These ‘crooked’ coins are often thought to be love tokens, bent to prevent them being spent accidentally. The idea was that the enamored man would prove the strength of his love by bending the coin in front of his chosen lady. Hopefully she would keep and treasure it; else it would be discarded along with the poor chap’s affections. Many of these coins have been found on open farmland in places where fairs were held, indicating a large number of disappointed beaus! Alternatively, they may simply have been good luck charms. What do you think?
A trio of medieval gold brooches. The first is a gold annular brooch with clasped hands at the top, that may once have held a pearl or stone. The crude inscription translates as “Love, I will you only”, with “will” taking its earlier meaning of “want”. The second brooch, with its asymmetric heart design, is almost modern in appearance but actually dates to around the 14th century, with parallels in the British Museum collection. The final brooch is gilded silver and is inscribed on both sides with messages of love. The front reads: + AMVR VENT TVTEN, a variant of the common “Love conquers all” but in French rather than Latin (amour vainc tout). The reverse reads: + IO SVI FLUR DE LEL IA, meaning I Am The Flower Of Loyal [Love].
We’re pleased to announce the launch of our Rutland County Pages. Rutland is our smallest county but it is packed with archaeology, from the Upper Palaeolithic hyena den to coin hoards from the civil war. Learn more about visiting Rutland’s heritage sites or explore archaeological finds from Rutland reported to the Portable Antiquities Scheme.
Wendy Scott is the Finds Liaison Officer for Rutland. She is supported by a fantastic team of volunteers and student placements who photograph and record finds, carry out research and much more. Read more about the team here.
Watch this space for more blog posts about volunteering, finds, events and more from Rutland.
Dated 1605, the year of the Gunpowder Plot, this is a particularly fine example of a James I sixpence. It has the Royal Coat of Arms on one side and the crowned bust of the almost-unfortunate King on the other. As well as the Gunpowder Plot, James I had to contend with two earlier plots against him, despite having a more moderate attitude towards Catholics than his predecessor.
Although James I was reasonably tolerant towards Catholics in his early reign, recusancy – or the refusal to take part in Anglican worship – was still a punishable crime. In some cases, adherence to Catholicism resulted in the death penalty. Decade rings like this one were a discreet way for Catholics to practice their faith. The ten ‘bumps’ on the ring represent the ten prayers that make up the Rosary and were used to keep count of the number of Hail Marys said.
Lead-alloy powder chargers like this one were used to measure the appropriate amount of gunpowder for loading into a musket. Guy Fawkes was an experienced soldier who fought for Spain in a number of conflicts. It is thought that he gained his knowledge of gunpowder and explosives from his time as a solider and he may well have used a powder measure like this one during his service.
This medieval pilgrim badge is in the shape of a Catherine Wheel. According to Christian tradition, Catherine of Alexandria (later St. Catherine) was condemned to torture upon a spiked ‘breaking wheel’. However, when she touched the wheel it flew into pieces. Subsequently, such devices became known as Catherine Wheels and it is from this that the popular firework gets its name.
This medieval belt mount is in the shape of a hedgehog. Such mounts were used to decorate leather belts and came in a wide range of shapes and styles. The humble hedgehog might seem an odd decorative choice but they do appear in many medieval manuscripts and even on some coats of arms. And remember, if you’re having a bonfire tomorrow, don’t forget to check inside for hedgehogs before you light it!
In the spirit of Halloween (pun intended), we’ve delved into the database for some of our more ‘spooky’ finds. From superstitious shoes to ghoulish jewellery, we’ve pulled together six of our best supernatural-themed items for your eerie enjoyment. Read on… if you dare!
Tampers like this one have a flat end for tamping down tobacco in the bowl of the pipe. It could also be used for crushing the ash to make relighting easier. This little devil has a fearsome pair of horns and is holding his leg across the knee in the style of the Lincoln Imp.
Witch bottles were prevalent across England from the 17th century, especially in East Anglia where superstition and belief in witches was strong. These bottles were supposed to protect against evil spirits and spells directed at the supposed victim. The bottles contained items like hair, nail clippings, pins, needles and sometimes even the urine of the intended victim. It was then often buried in a fireplace, under the floor or plastered into the wall, its power remaining active for as long as it remained hidden. Early witch bottles were of the Bellarmine jug type whereas later examples like this were glass.
This child’s clog was discovered hidden within the fabric of a wall. Much like the witch bottles, the practice of placing a shoe within the structure of a house was once widespread, particularly in the 16th and 17th centuries. It is thought they were either to ward off evil spirits or to deflect curses. Given the fact that this one is a child’s shoe, it most likely relates to a Lancashire tradition of hiding the shoes to prevent the child being swapped for a fairy child.
These objects, with their skeletal imagery, are both examples of memento mori. In Christian tradition, these were used to emphasise the emptiness and fleetingness of earthly pleasures, and as reminder to focus one’s thoughts on the prospect of the afterlife. Small, portable items such as these two examples were often carried by individuals as a reminder of their own mortality. With its skeleton and hourglass symbol, the seal matrix really emphasises the message of death and passing time.
The common name for these extinct oysters is “Devil’s toenails”. This wonderfully graphic name is due to their gnarled, curved shape and people once believed they were made as the Devil clipped his toenails. There used to be a common belief that carrying one of these fossils could prevent rheumatism so they often crop up in archaeological contexts.
Hello! Just thought I’d take a moment to introduce myself. My name is Lauren and I am the new Outreach Officer for the PASt Explorers project. I’m based at the Central Unit in the British Museum but you’ll see plenty of me out and about at the training sessions and other outreach events! In the meantime, if you’ve got any questions about the project please don’t hesitate to get in touch. I’m really excited to be involved in PASt Explorers and look forward to hearing from (and hopefully meeting) you over the course of the project.