Medieval Late at the British Museum

Elaborate hairstyles, choral singing and Middle English were all on the menu at the most recent themed late opening of the British Museum. The ‘Medieval Late’ evening on Friday, 8 July saw the grounds and central area of the museum, as well as many of the galleries, open until 9:00pm while a host of themed events occurred throughout. The current major exhibition ‘Treasures of Heaven: saints, relics and devotion in medieval Europe’ was the obvious source of inspiration for the evening, and the starting point for the plethora of informational activities and refreshments available to guests.

The regular closing time for the British Museum is 5:30pm, so for some guests it undoubtedly came as a pleasant surprise to find that they weren’t being ushered towards the door at that time, but rather encouraged to stay for the festivities to come. There was something for everyone on the agenda: gallery talks and lectures for the studious, art classes and chances to dress-up for the hands-on, theatre and singing for the observant and food and drink for the, uh, gluttonous.

After hearing her speak at the staff opening of ‘Treasures of Heaven’, I wanted to attend project curator Anna Harnden’s gallery talk. Swelled to capacity, the southeast corner of the Medieval gallery (Room 40) is the home of the subject of Anna’s talk, a woodcut of the Virgin and Child with Eight Virgin Saints. For someone who doesn’t know his Catherine from his Barbara, this was a lively and useful overview of the lives and legends of some of the most important virgin saints (and their attributes), which is crucial to appreciating reliquaries on display in the main exhibition. Her introduction to the cult of saints also helped to put into context many of the objects which are found by members of the public and recorded by the PAS, like this recent find of a possible badge of St Ursula from Lancashire (LANCUM-61F133).

As many will appreciate, the panoply of spaces in the British Museum make it adaptable to a variety of uses, and the organisers of the ‘Medieval Late’ took advantage of this. Colleagues spoke in admiration at the wonderful sounds and atmosphere of the Enlightenment Gallery (Room 1) generated by the Renaissance Singers, who kept to the theme by including medieval songs in their repertoire. The Mausoleum of Halikarnassos gallery (Room 2) with its two specially-lit colossal statues formed the stage for a young acting troupe’s twist on Chaucer’s Canterbury Tales, which was seen by an overflowing crowd of onlookers. Even a presentation on the art of medieval hairdressing for film and theatre was given a dramatic location in front of the Nereid Monument in Room 17.

The special period menu available in the Great Court was fairly adventurous and there were several guests who appeared to sample most of what was on offer: wild boar sausage, ox tongue, and pickled vegetables. I tried the hard-boiled duck egg with mustard sauce and spinach, which proved a heart, tasty treat for a reasonably-priced £1.50. I did feel that the caterers were ambitous in their attempt to sell bottles of ‘Mead’ – actually Fuller’s ‘Honey Dew’ Ale – for £5.00 each, but obviously the general public were happy to imbibe, as the beer sold out by 7:30pm.

I think the museum did well to put on a host of activities based on a central theme whilst at the same time allowing those who simply wanted to wander the galleries, visit the shops or enjoy the restaurants, the opportunity to do so at their own pace, without having the medieval world thrust upon them. Nonetheless the sheer size of the museum means that many events can be going on in disparate locations and it can be difficult for a visitor who does want to engage with the theme to decide what is worth attending. It would be great to see a specially constructed information ‘Hub’ on the forecourt or colonnade to grab the attention of guests as they enter the museum and direct them to the ongoing events and inform them of cancellations. That aside, the Medieval Late was an enjoyable, entertaining and worthwhile programme which greatly complimented the ongoing major exhibition. If they haven’t visited ‘Treasures of Heaven’ already, I’d bet this evening inspired a few more guests to check it out.

We wish Rod Trevaskus luck as he moves onto pastures new

Jeff Spencer, HER officer for Clwyd Powys Archaeological Trust (CPAT) has written a short piece about his volunteer Rod, who after almost four years as a volunteer has decided to move on to pastures new. Rod has worked with Jeff recording artefacts for the PAS from Wrexham Heritage Society and independent metal detector users in Powys and Shropshire.

Jeff Writes:

Rod Trevaskus

Rod started volunteering with the PAS in 2007 and as a direct result of his work the annual totals of recorded artefacts by CPAT have virtually doubled with each successive year;

80 in 2007/8,

150 in 2008/9,

260 in 2009/10

and up to August in the 2010/11 financial year his total was already

266!

In addition his enthusiasm for meeting people and talking to them about finds and the PAS have been vital in helping build a strong and positive working relationship with the Wrexham Heritage Society, its members and also local independent metal detectorists, to say nothing of his excellent photographic skills.

Before working with us he had successful careers in the RAF and in banking in the Far East, from which he had to retire due to ill health.

The following are good examples of some of his records on the PAS database:

CPAT-446CE7

PAS record number: CPAT-446CE7
Object type: Seal matrix
Broadperiod: MEDIEVAL
County of discovery: Powys
Stable url: http://www.finds.org.uk/database/artefacts/record/id/236047

CPAT-E87263

PAS record number: CPAT-E87263
Object type: Harness Fitting
Broadperiod: IRON AGE
County of discovery: Shropshire
Stable url: http://www.finds.org.uk/database/artefacts/record/id/238280

CPAT-FE6537

PAS record number: CPAT-FE6537
Object type: Token
Broadperiod: POST MEDIEVAL
County of discovery: Shropshire
Stable url: http://www.finds.org.uk/database/artefacts/record/id/238299

CPAT-5486C1

PAS record number: CPAT-5486C1
Object type: AXEHEAD
Broadperiod: BRONZE AGE
County of discovery: Denbighshire
Stable url: http://www.finds.org.uk/database/artefacts/record/id/399510

CPAT-227A56

PAS record number: CPAT-227A56
Object type: Coin
Broadperiod: POST MEDIEVAL
County of discovery: Powys
Stable url: http://www.finds.org.uk/database/artefacts/record/id/259849

Both Jeff and I wish Rod a very happy second (or is it third) retirement and thank him most sincerely for all his hard work for the PAS. His commitment has made a huge difference to the PAS locally and he will be missed.

Jeff Spencer and Peter Reavill

A full list of finds recorded by Rod can be found here

http://www.finds.org.uk/database/search/results/recorderID/00146B1E1CE0181E/

which can be mapped here

http://www.finds.org.uk/database/search/map/recorderID/00146B1E1CE0181E


View Larger Map

Coins in Utrecht

I’ve just got back from the ICOMON* conference in Utrecht where I gave a short paper about the potential of the Portable Antiquities Scheme Roman coin data. Despite sudden nerves nearly getting the better of me when I stood up to talk and realised the assembled audience knew an awful lot about Roman coins, the paper seemed to go down ok – well, no one said what I was doing was a waste of time! It was all part of an interesting session exploring the different databases used to record site finds and hoard coins throughout Europe. Unsurprisingly, there are a quite lot of them, although none are as developed and as useful as the PAS database and not all are accessible online. At the moment, it would be a struggle to do similar research to mine in other European countries so I count myself rather lucky.

Other highlights of the conference included watching Euros being minted, hearing of another riverine Roman deposit (this time in Verona) which might be a good parallel for Piercebridge in County Durham and eating my way through 500 Euro chocolate bank notes..Yum.

*ICOMON = The International Committee for Money and Banking Museums

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